Tuesday, 28 June 2011

Type Design

One thing I had a lot of trouble with at uni was typefaces. In the first project of the second year we had to produce a book that described the different categories of typeface and it had to be innovative.


Although I was extremely happy with the final outcome, it was a struggle to do. I couldn't get a feel for it & couldn't get my head around it. The reason I'm bringing it up is because I have now designed my own typeface, and I wanted to make it clear just how much I struggle with type.

My typeface. Not sure what to call it.
 About a year ago a friend of mine wanted me to design him an album cover and logo for his band. I thought this would be a good way for me to actually design my own typeface. So after many attempts and chunks of hair pulled out, heres the full alphabet.
Rob's cover
So people how do you think I've done? Have my efforts been in vain?

Monday, 27 June 2011

What The Water Feels Like To The Fishes

When I was on my HND course one of the projects we were given was to redesign two book covers from the Penguin 70th Anniversary box set. The books I chose were "The Unabridged Pocketbook of Lightning" by Jonathan Safran Foer (big mistake) and "Short Short Stories" by Dave Eggers. 

My version of the "Short Short Stories" book cover.
I'm bringing this up because one of the stories in Dave Eggers book really stood out above the rest and for me was quite thought provoking. It was called "What The Water Feels Like To The Fishes" and I wanted to share it with you lot as I think it's a very good piece of writing and would love to know what you guys think.

"Like the fur of a chinchilla. Like the cleanest tooth. Yes, the fishes say, this is what it feels like. People always ask the fishes, 'What does the water feel like to you?' and the fishes are always happy to oblige. Like feathers are to other feathers, they say. Like powder touching ash. We smile and nod. When the fishes tell us these things, we begin to understand. We begin to think we know what the water feels like to the fishes. But it's not always like fur and ash and the cleanest tooth. At night, they say, the water can be different. At night, when it's very cold, it can be like the tongue of a cat. At night, when it's very very cold, it's like cracked glass. Or honey. Or forgiveness, they say, ha ha. When the fishes answer these questions - which they are happy to do - they also ask why. They are curious things, fish are, and thus they ask, 'Why? Why do you want to know what the water feels like to the fishes?' And we are never quite sure. The fishes press further. 'Do you breathe air?' they ask. The answer is yes. Well then, they say, 'What does the air feel like to you?' And we do not know. We think of air and we think of wind, but that's another thing. Wind is air in action, air on the move, and the fishes know this. Well then, they ask again, 'What does the air feel like?' And we have to think about this. Air feels like air, we say, and the fishes laugh mirthlessly. 'Think!' they say. 'Think,' they say, now gentler. And we think and we guess that air feels like hair, thousands of hairs, swaying ever so slightly in breezes microscopic. The fishes laugh again. 'Do better, think harder,' they say, encouraging us. It feels like language, we say, and they are impressed. 'Keep going,' they say. It feels like blood, we say, and they say, 'No, no, now you're getting colder.' The air is like being wanted, we say, and they nod approvingly. The air is like being pushed and pulled and yanked, punched and slapped and misunderstood and loved, we say, and the fishes sigh and touch our forearm sympathetically."

Thursday, 2 June 2011

Wonders of Photoshop

In recent years I'm finding that I'm using Illustrator a lot more then Photoshop. Most of the drawings I am producing are mocked up in my sketchbooks, scanned then coloured and inked on Illustrator and Photoshop never sees the light of day. It's for this reason that I was that much happier about this photo of mine I manipulated.

I was watching Iron Man the other day (first one as it's one of my favourate comic movies and is hands down better then the second) and one of my favourate things of those movies is the veiw you get of inside the helmet while Tony Stark is flying the suit. The heads-up display is brilliantly executed and it looks very believible.

Tony Stark controls his Iron Man suit using a heads-up display inside his helmet.
 I wanted to try to recreate the look of it and obviously I couldn't do that in Illustrator. So for the first time in quite a long time I decided to fire up Photoshop and see what I can come up with. I'm particularly proud of the outcome of this picture not only for how it looks, but it's nice to know that I can still go onto Photoshop and not have to struggle with it. All the skills I've learned over the years are still inside my thick head somewhere and I love the fact that I can call upon them when I need it.
So you brave souls who have bothered to follow my blog, do you get times like that? When you do or use something you haven't done it ages and are happy to find all the knowledge you have come flooding back?